![]() Two years after the station was established, county residents voted to move the county seat from Millerton to Fresno. Helm was the largest individual sheep grower in Fresno County. By 1877, Helm made Fresno his home with a five-acre tract of land at the corner of Fresno and R streets. In 1865, William Helm brought his sheep to Fresno county, which was then a vast space of open land. By 1931 the railway, now known as the Fresno Traction Company, operated 47 streetcars over 49 miles (79 km) of track. In 1903, the faltering San Joaquin Power Company was renamed the San Joaquin Light and Power Corporation and included the Fresno City Water Company and the Fresno City Railway. Fresno became an incorporated city in 1885. Many Millerton residents, drawn by the convenience of the railroad and worried about flooding, moved to the new community. ![]() At that time, Mariposa street was the main artery, a rough dusty or muddy depression. Soon there was a store near the station and the store grew into the town of Fresno Station, later called Fresno. In 1872, the Central Pacific Railroad established a station near Easterby's-by now a hugely productive wheat farm-for its new Southern Pacific line. Building new canals and purchasing existing ditches, Church then formed the Fresno Canal and Irrigation Company, a predecessor of the Fresno Irrigation District. Unable to grow wheat for lack of water, he hired sheep man Moses Church in 1870 to create an irrigation system. In 1867, Anthony Easterby purchased land bounded by the present Chestnut, Belmont, Clovis and California avenues, that today is called the Sunnyside district. Rebuilt on higher ground, Scottsburg was renamed Centerville. Flooding also destroyed the town of Scottsburg on the nearby Kings River that winter. The San Joaquin River flooded on December 24, 1867, inundating Millerton. ![]() The county of Fresno was formed in 1856 after the California Gold Rush and was named for the abundant ash trees (Spanish: fresno) lining the San Joaquin River. The first European to enter the San Joaquin Valley was Pedro Fages in 1772. The old Fresno County Courthouse, built in 1875 and demolished in 1966 The original inhabitants of the San Joaquin Valley region were the Yokuts people and Miwok people, who engaged in trading with other Californian tribes of Native Americans including coastal peoples such as the Chumash of the Central California coast, with whom they are thought to have traded plant and animal products. History įor a chronological guide, see Timeline of Fresno, California. Yosemite National Park is about 60 miles (100 km) to the north, Kings Canyon National Park 60 miles (100 km) to the east, and Sequoia National Park 75 miles (120 km) to the southeast.įresno is also the third-largest majority-Hispanic city in the United States with 50.5% of its population being Hispanic in 2020. Fresno is near the geographic center of California, approximately 220 miles (350 km) north of Los Angeles, 170 miles (270 km) south of the state capital, Sacramento, and 185 miles (300 km) southeast of San Francisco. It has since become an economic hub of Fresno County and the San Joaquin Valley, with much of the surrounding areas in the Metropolitan Fresno region predominantly tied to large-scale agricultural production. ![]() Named for the abundant ash trees lining the San Joaquin River, Fresno was founded in 1872 as a railway station of the Central Pacific Railroad before it was incorporated in 1885. It covers about 115 square miles (300 km 2) and had a population of 542,107 as of the 2020 Census, making it the fifth-most populous city in California, the most populous inland city in California, and the 33rd-most populous city in the nation. It is the county seat of Fresno County and the largest city in the greater Central Valley region.
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It has great autofocus, but can also be switched to manual focus. This Image stabilization comes in really handy for handheld street photography. This replacement for the Canon EF-M 18-55mm lens has a new and comprehensive zoom range, plus image stabilization. Canon EF-M 18-150mm f/3.5-6.3 (Best Street Photography Zoom Lens for Canon EOS M50 Mark II ).It’s small, compact and light, but as it’s made of metal, also feels solidly built. So it has a nice, overall manual feel to it. You also set the aperture using a nice, clicky ring on the lens. Like the Rokinon above, it’s another super-wide, full manual focus lens, which is great both as a walkaround super-wide lens and for night photography. Many lenses of this focal length are fisheyes, but this is a vector linear lens, which means that, although it’s extremely wide-angle, all the lines are straight. Venus Laowa 9mm f/2.8 Zero-D (Best Super-Wide Lens for Canon EOS M50 Mark II ).And with an aperture of f/2 has low-light performance which elevates the capabilities of the M50 Mark II. The lens also creates very sharp, well-contrasted images. Oddly, it doesn’t give you the option to switch to manual focus on the lens, so that has to be done in-camera, which is a bit fiddly.īut, the autofocus is extremely fast and accurate, so most of the time you’ll be fine with that. It’s the full-frame equivalent of 35mm, so it’s a great everyday lens for multiple uses street photography, landscapes and cityscapes. This is a super small and light lens at a great price point. Canon EF-M 22mm f/2 STM (Best Budget Lens for Canon EOS M50 Mark II ).The calibration of this lens is fantastic, and with the manual focus ring set to infinity, you can be certain that the stars are going to be sharp. It’s completely manual focus, and while that might be intimidating for some shooters, it’s perfect for shooting at night. This wide-angle lens, with its sharp images, great optical quality, low aperture, and great price, is an outstanding choice for astro-photography. Rokinon RK12M-M 12mm F/2.0 (Best Astro-Photography Lens for Canon EOS M50 Mark II).So let’s have a look at what they have to offer. Which is exactly what you’d buy it for.Īlthough these lenses didn’t make it into our top picks, they almost made the cut. In terms of optical quality, the lens gives you images which are sharp in the centre (not so much at the edges), and especially sharp when shooting macro-style. The lens also has a super-macro mode which increases magnification from 1X to 1.2X. The focal length too, is a handy one for macro, as it will allow you to shoot a great variety of subjects, as long as you don’t mind getting up close. It’s fully image-stabilized, and there’s also an in-built and adjustable ring light to illuminate whatever you’re shooting. With this lens, Canon has solved both of these problems. It’s hard to get sharp shots while shooting handheld, but using a tripod for macro photography can be a pain.Īnd, depending on what you’re shooting, it can be difficult to get enough light on your subject. Macro photography, while fun, can be difficult to pull off. The Canon EF-M 28mm f/3.5 Macro IS STM is an interesting package, an image-stabilized wide-angle macro lens. But, if it’s too steep for you, consider a less expensive alternative, such as the Sigma 30mm f/1.4. ![]() With these features, it’s definitely worth the cost. It’s also one of Canon’s sharpest EF-M lenses – pin-sharp from the centre of the frame to the edges, across the aperture range. It’s wide enough to give you the full picture, while also giving you room to focus on a specific subject.Īnd with an aperture of f/1.4 this lens, although it has little low-light flaring, still gives you great low-light performance overall and beautiful bokeh. Anyone who knows anything about photography knows that this is a very versatile focal length. ![]() The Canon EF-M 32mm f/1.4 STM is a full-frame equivalent of 51mm. It’s a compact lens that fits well with the form factor of the M50 Mark II, and although it comes in at around 250 grams, thanks to its understated design, it still feels solid in use. This Canon lens is our choice for best nifty-fifty, due to its neat and tidy build, and its versatility. ![]()
![]() Inexpensive and perfect for jamming and recording, BIAS FX 2 is one of my favorite amp sims for Mac and PC.įender Mustang Micro – The Fender Mustang Micro is a small gizmo that plugs directly into your guitar’s jack. BIAS FX is an amp and effects simulator and it is one of the best in the business. And best of all? It’s not even that expensive either.īIAS FX 2 – If you want to run your guitar through your PC or Mac, BIAS FX 2 is one of the best ways to develop and create amazing-sounding tones. But the real magic happens when it is paired with your phone, opening up access to thousands of effects and tones that you can customize to your exact specifications. Spark Amp – The amp itself is brilliant, coming with a bunch of great tones and plenty of power with its 50W speaker. The latest and best gear we recommend right now… It is simple to play, heavy AF, and has plenty of groove and sass. Have a listen below: Dragonaut by Sleep is one of my favorite tunes of all time and the riff is one of the best ever committed to tape. But you can play this tune in D Standard and it sounds more or less just as good it’s not quite as heavy-sounding but it is good enough, especially if you don’t or cannot tune your guitar down to C Standard. Again, Matt Pike’s guitar is tuned down to C Standard. This is good if you like playing a lot of stoner/doom stuff but your guitar doesn’t like being tuned down too low.Īnd one of the best riffs to learn in your new, lower tuning is Dragonaut by Sleep. Ditto B and A tuning, although you’ll need a new set of strings for that.Īgain, it won’t sound the same as the record – C standard is A LOT lower, for instance – but it will sound similar, just slightly higher and in a different key. Another cool thing about DGCFAD tuning? You can play songs that are in C Standard tuning too. Metallica’s Seek And Destroy is perhaps its most popular song in DGCFAD. When it comes to metal, a lot of Mastodon stuff is in DGCFAD. It’ll be in a different key, but it will still sound like that song, just a little heavier and darker. ![]() You’re just one step down, so any song written in standard tuning transposes down to DGCFAD. You can play any song you know in standard tuning in DGCFAD. Or, if you have a lower vocal range or prefer singing slightly lower. This tuning is great for rock, metal, and blues. It sounds better, right? Just like standard but with a much darker, heavier edge to it. Next, tune the G string down to F, the B string to A, and the E string to D. Then move to the D string and move it down to C. ![]() Then move onto the A string (the second one down from the fattest string), tuning it down to G. If you have a tuner for your guitar or an app on your phone, simply switch it on, and start on your bottom string (the fat one). It’s pretty easy to tune your guitar down to DGCFAD. The easiest way to remember this, especially if you know the notes on the bottom string in standard, is just to count back a step, so D becomes C, B becomes A, and G becomes F, and so on. The only thing you have to remember is that the notes of the strings have changed they’re now one step lower than they used to be.įor instance, in standard tuning, the first fret would normally be F but in DGCFAD, because everything has moved down a whole step, the first fret is now D#. You play power chords the same, SUS chords the same, all your pentatonic patterns are the same. ![]() The genius of DGCFAD is that the intervals between the notes of each string are kept intact, so all the chords and scales, and patterns you use in standard tuning work exactly the same when your guitar is tuned to DGCFAD.ĭGCFAD works just the same as standard tuning. ![]() When you start typing average you will get a few options to choose from. Find a place where you want to count the average. If you need to, you can adjust the column widths to see all the data.Īverage of the numbers in cells A2 through A6.Īverage of the numbers in cells A2 through A6 and the number 5.Īverage of the numbers in cells A2 through C2. If you have a list of percentage values and you want to get the average percentage of them, you can do it in Excel by using the AVERAGE function. ![]() For formulas to show results, select them, press F2, and then press Enter. On the File tab, click Options, and then, in the Advanced category, look under Display options for this worksheet.Ĭopy the example data in the following table, and paste it in cell A1 of a new Excel worksheet. To locate the Show a zero in cells that have a zero value check box: When this option is selected, empty cells are not counted, but zero values are. Tip: When you average cells, keep in mind the difference between empty cells and those containing the value zero, especially if you have cleared the Show a zero in cells that have a zero value check box in the Excel Options dialog box in the Excel desktop application. If you want to calculate the average of only the values that meet certain criteria, use the AVERAGEIF function or the AVERAGEIFS function. To convert the output to a percentage, either press Ctrl+Shift+ or click on the Home tab’s number group. The percentage formula in Excel is Numerator/Denominator (used without multiplication by 100). If you want to include logical values and text representations of numbers in a reference as part of the calculation, use the AVERAGEA function. In other words, the numerator is divided by the denominator and the result is multiplied by 100. ![]() Click a cell below the column or to the right of the row of the numbers for which you want to find the average. If a range or cell reference argument contains text, logical values, or empty cells, those values are ignored however, cells with the value zero are included.Īrguments that are error values or text that cannot be translated into numbers cause errors. AutoSum lets you find the average in a column or row of numbers where there are no blank cells. Logical values and text representations of numbers that you type directly into the list of arguments are not counted. Additional numbers, cell references or ranges for which you want the average, up to a maximum of 255.Īrguments can either be numbers or names, ranges, or cell references that contain numbers. The first number, cell reference, or range for which you want the average. The AVERAGE function syntax has the following arguments: For example, if the range A1:A20 contains numbers, the formula = AVERAGE( A1:A20) returns the average of those numbers. Returns the average (arithmetic mean) of the arguments. This article describes the formula syntax and usage of the AVERAGE function in Microsoft Excel. ![]() To re-create this end stage, the researchers shined ultraviolet light on collagen gel containing silver ions. Some of those ions would eventually end up in the skin, where they’d be exposed to light. Silver metal particles themselves aren’t terribly likely to make it from the GI tract to the blood, but when they’re transformed into a salt, they’re ushered right through.įrom there, Hurt and his team showed that silver ions bind easily with sulfur present in blood proteins, which would give them a free ride through the bloodstream. Those ions can easily be taken into the bloodstream through channels that absorb other types of salt. Corrosion strips silver atoms of electrons, forming positively charged silver salt ions. They found that nanosilver corrodes in stomach acid in much the same way it does in other acidic environments. One treatment simulated the acidic environment in the gastrointestinal tract one mimicked the protein content of the bloodstream and a collagen gel replicated the base membranes of the skin. To find out, the researchers mixed a series chemical treatments that could simulate what might happen to silver inside the body. Hurt’s graduate student, Jingyu Liu (now a postdoctoral fellow at the National Institute of Standards and Technology), thought those same toxic ions might also be produced when silver enters the body, and could play a role in argyria. They’ve found that nanosilver tends to corrode in acidic environments, giving off charged ions - silver salts - that can be toxic in large amounts. Hurt and his team have been studying the environmental impact of silver, specifically silver nanoparticles, for years. ![]() That final stage, oddly, involves the same photochemical reaction used to develop black-and-white photographs. Robert Hurt “The particles someone ingests aren’t the particles that ultimately cause the disorder.”Hurt and his team show that nanosilver is broken down in the stomach, absorbed into the bloodstream as a salt and finally deposited in the skin, where exposure to light turns the salt back into elemental silver and creates the telltale bluish hue. His paper on the subject, authored with Brown colleagues Jingyu Liu, Zhongying Wang, Frances Liu, and Agnes Kane, is published in the journal ACS Nano. Tissue samples from patients showed silver particles actually lodged deep in the skin, but it wasn’t clear how they got there.Īs it turns out, argyria is caused by a complex series of chemical reactions, Hurt said. The condition has been documented in people who (ill advisedly) drink antimicrobial health tonics containing silver nanoparticles and in people who have had extensive medical treatments involving silver. Scientists have known for years argyria had something to do with silver. ![]() “What’s interesting here is that the particles someone ingests aren’t the particles that ultimately cause the disorder.” “It’s the first conceptual model giving the whole picture of how one develops this condition,” said Robert Hurt, professor of engineering at Brown and part of the research team. Researchers from Brown University have shown for the first time how ingesting too much silver can cause argyria, a rare condition in which patients’ skin turns a striking shade of grayish blue.
![]() I am aware of being able to patch the IFC export type during the export process, and the IFC mapping configuration within Revit itself, as well as the special Ifc override properties, but I should not need to hook into the export process and the mapping process is not reliable. It also forces us to expose company intellectual property if we send out Revit files. This creates issues with round-tripping, consultants using our files, and even ourselves trying to use our own files. At the point of writing this, it’s been 5 years. ![]() Forget IFC4, Revit can’t even do IFC2x3 properly, even though IFC4 has been an ISO spec since 2013. Regardless of the IFC MVD, it will never allow modification of the IFC. Revit will develop a mapping and create a special Revit file just to read and perform the most rudimentary filtering on the IFC file. The simplest IFC of a few kB will take 15 seconds to import and in the process Revit will multiply the filesize by at least 10. Will your building element turn up at all? Will it even export? Will it import? Ah, the mysteries of the universe. Revit deals with IFCs very poorlyĮxporting to an IFC? Will your roofs become IfcRoof, or will Revit decide your roof is a slab instead? Will your windows become IfcWindow? Who knows. In contrast, the first thing that you do when you launch FreeCAD to create a BIM project is to define a building with storeys in that building that belong to a site. Have a shared site with mix-use buildings where two buildings merge? Now you’ve got a maintenance nightmare. No way of categorising a shape to represent a building or that some levels are part of building A and some are part of building B. If you have two buildings next to each other, Revit has no way of saying that some walls belong to building A, and some belong to building B. You can categorise walls, floors, roofs … but a building? Nope. Revit has failed to implement even the most basic of BIM concepts: a building. An example of Revit failing to consistently deal with openings in an irregularly shaped wall With this background, I hope to present a fair but critical list of issues I have faced with Revit. I have also used a great deal of software on many platforms, including 3D modeling as practiced by the CG industry, point clouds, programmatic typesetting with Lilypond and LaTeX, and am also closely following OpenBIM initiatives. Therefore, the concepts of decoupling, interfaces, modularity, Robert Martin’s famous code smells of fragility, rigidity, and so on, and technical debt, are all applicable in this field. There are ever-changing client requirements, lots of small pieces that interact, and domino effects of changing the design in one area. Software architects deal with many of the same issues as BIM data management. I have a background in software development, previously working as a software architect. However, I have certainly used it to document projects, and have used Revit’s API. I speak from the perspective of an architect working on large commercial projects across different building typologies, and therefore do not use the MEP aspects, which may be better than I have experienced here. Its function is to build a 3D “BIM” model of a building and lay out 2D documentation in the traditional form of drawing sheets. Revit is a proprietary software developed by the monopoly Autodesk for the AEC industry. Join the OSArch community today and help drive community-driven AEC tools. It is under heavy development, but all early adopters are welcome. We are now developing a 100% free and open-source native OpenBIM authoring tool called BlenderBIM. Black-box BIM data is no longer acceptable by companies with a large real-estate portfolio. Data about our built environment is a human right and should be transparent and not governed by a vendor. Update: The popularity of this article has shown the industry needs to break out of the unethical behaviour by proprietary vendors, which result in proprietary incompatibility, proprietary obsolescence, and proprietary subscription. I would play down the title to something more politically correct, but that would risk understating Revit’s limitations that I have to deal with on an almost daily basis. ![]() He has dementia and constantly forgets important life events and where things are around his flat, including his watch. Plot Īnne visits her father Anthony in his flat after he has driven away the latest of several caregivers. Since then, it has been cited as one of the best films of the 2020s and the 21st century. In addition, Hopkins and Colman were nominated for Outstanding Leading Actor and Outstanding Supporting Actress, respectively, at the 27th Screen Actors Guild Awards. ![]() At the 78th Golden Globe Awards the film received four nominations (including Best Motion Picture – Drama), and received six nominations at the 74th British Academy Film Awards, winning Best Actor (Hopkins) and Best Adapted Screenplay. The film grossed $34 million on a $6 million budget and was acclaimed by critics, who lauded the performances of Hopkins and Colman, as well as the production values and its portrayal of dementia.Īt the 93rd Academy Awards, Hopkins won Best Actor and Zeller and Hampton won Best Adapted Screenplay the film received six nominations in total, including Best Picture and Best Supporting Actress for Colman. ![]() The Father premiered at the 2020 Sundance Film Festival on 27 January 2020 and was released by Sony Pictures Classics in the United States on 26 February 2021, in France on by Orange Studio and UGC, and in the United Kingdom on 11 June 2021 by Lionsgate UK. A French-British co-production, the film stars Anthony Hopkins, Olivia Colman, Mark Gatiss, Imogen Poots, Rufus Sewell, and Olivia Williams, and follows an octogenarian Welsh man living with dementia. doi: 10.26502/ Father is a 2020 psychological drama film directed by Florian Zeller, in his directorial debut he co-wrote the screenplay with fellow playwright Christopher Hampton on the basis of Zeller's 2012 play Le Père, which is part of a trilogy that also includes Le Fils and The Mother. Mindfulness Training Improves Sport Performance via Inhibiting Uncertainty Induced Emotional Arousal and Anger. Gu S., Li Y., Jiang Y., Huang J.H., Wang F. A review of the interpersonal experience, expression, and regulation of emotions in sport. ![]() Tamminen K., Wolf S.A., Dunn R., Bissett J.E. The effects of mindfulness training on mindfulness, anxiety, emotion dysregulation, and performance satisfaction among female student-athletes: The moderating role of age. Hut M., Glass C.R., Degnan K.A., Minkler T.O. “I must be perfect”: The role of irrational beliefs and perfectionism on the competitive anxiety of Hungarian athletes. Research on the influence of college students’ participation in sports activities on their sense of inferiority based on self-esteem and general self-efficacy. Mindfulness is a factor that enhances athletes' ability to cope with high sport pressure and the healthy management of competition (e.g., fear of failure), or with their daily life.Īwareness mindfulness psychosocial variables sport. The variables under study were assessed through different questionnaires at pre- and post-test (T1-T2) in both groups. Participants were randomly assigned to an intervention group (N = 21 14 males and 7 females) which received the intervention over 10 weeks (a weekly session) and a control group (wait-list N = 20 13 males and 7 females). This study explored the effects of a mindfulness programme (Flow Meditation) on levels of impulsivity, mood and pre-competition anxiety-state in a sample of athletes (N = 41, 22.83 ± 5.62 years). Training in emotional regulation skills is one of the most important resources for the adaptation of athletes to contexts of sports pressure, especially during competitions. ![]() ![]()
![]() “I skinned it again,” he hissed, prodding the pink raw skin. He sat down on the mattress and examined his stinging elbow. They would never EVER sleep together in a sexual way that would be as bad as sleeping with your sibling. The pair always shared it, to converse body heat and all that. There was a cooler in one corner, and a twin mattress on the floor next to it. They had removed most of the leather seats, leaving two rows in the back. He turned and looked around the bus as he crunched on the bar. “Yeesh.” Neil mumbled, straightening his glasses and unwrapping the cellophane. She’ smacked Neil in the face with one and ripped the other’s wrapper off with her teeth. “Tsk,” Nikki hissed and popped open the glove compartment, pulling out two protein bars. ![]() “Two arrows broke when I was trying to get them fucking clean!” ![]() Neil stomped to the front, and waved a few broken wood pieces in front of her face. “Bad luck?” called Nikki from the front seat. “-two more goddamn arrows, damn this fucking apocalypse, even the shit keeping us safe isn’t cooperating-“ Nikki heard the hatch open and Neil’s feet hit the isle as he mumbled angrily. She pulled open the emergency hatch and, after tossing down her bat, lowered herself down and shut the door behind her. Nikki climbed up onto the hood, then hoisted herself over the windshield and onto the roof. The bus, heavily armored with bits of metal and the doors welded shut, was parked in front of the empty school. She kicked through patches of gravel, spraying rocks everywhere as she turned a corner. Nikki jumped on top of a car and ran across the top, dropping back onto the ground from the hood. The brick walls were covered in everything from graffiti to blood splatters, and some parts were crumbling from nobody being there to take care of the building. “Kay! Don’t get eaten!” Nikki slung the dripping wet bat over her shoulder and set off to the other side of the school. “Go ahead back to the bus, I need to get these clean.” But the gore has already dried on them, refusing to rinse off. Neil grabbed a handful of arrows and held them under the stream too. The faucet squeaked as she turned it, then waited.Īfter a few moments a steady stream of water spilled onto the blood-covered bat, washing the red onto the concrete. “Here it is!” Nikki jogged over to the coiled hose and untangled the last few feet. Neil and Nikki’s footsteps echoed in the empty school parking lot as they made their way to the side of the building, searching for the hose. But he kept the keys with him at all times, as to not let Nikki get her hands on them. Neil always said that if they ever needed a quick escape, he could drive it to safety. ![]() They had armored the bus so much that the only way in was the top emergency hatch. The two teenagers were camping out in an old school bus parked in front of their empty high school. Neil and Nikki had been surviving together for about three months, ever since the virus broke out across the globe. Dark clouds were rolling in the sky, creating a grey hazy feel to the already chilly September air. He pulled her up onto the crate stack, then the two of them hoisted themselves over the fence and out of sight.Īs the pair walked through the deserted streets, they were alert and listening, waiting anxiously for growling or the sound of dragging feet. “Come on,” he called to Nikki, who tossed her bat over the fence and grabbed Neil’s outstretched hands. He threw his backpack over and then climbed on top of a stack of crates piled against the fence. He walked over to a tall wooden fence at the end of the ally, wiping his sweaty hands on his vest. “Good idea,” agreed Neil, who was pulling his arrows free from the zombies’ heads and putting them back in his backpack. She held up her baseball bat, which was dripping with blood. “I think so,” said Nikki, wiping sweat from her brow. “You think we got them all?” Neil wondered aloud in a low voice. Nikki walked over the bodies to Neil, who was listening and looking around for approaching figures. The ally was quiet aside from the sound of their heavy breathing. Two more zombies were downed by arrows, as well as four with bashed-in skulls. He raised his crossbow and sent an arrow flying through the zombie’s forehead, knocking it backwards to the ground with a dull thud. Neil turned to find himself face-to-face with an armless zombie, growling and snapping at Neil as it staggered closer. “Neil, watch your back!” She yelled to get his attention before whacking another zombie. She turned to look over her shoulder at Neil. More blood splattered on the brick walls as she bashed their skulls in. Nikki shook the access block from her baseball bat, then swung it at three more zombies limping towards her. Two more bodies were knocked to the ally’s dirty ground, dark liquid pooling in the ground from their smashed faces. |
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